Prerequisites: graduate standing; or consent of instructor

Description: Analyzes movements of Black practitioners of multiple modalities. Includes the intersection between the conceptual and sacred; technology; worlding and un-worlding; embodying performance; art in and beyond the museum; studies in the techniques of mobilization; movement work and workers; and cultures and subcultures in Black freedom movements and art. Course is repeatable as content or topic changes to a maximum of 8 units.