Prerequisites: sophomore, junior, or senior standing; or consent of instructor
Description: Considers conceptual art made across Latin America, from 1960s to present. Focuses on subversive strategies artists developed to critique military dictatorships then in power, while circumventing legalized censorship. Considers localized versions of conceptual art in Santiago, Buenos Aires, Rio de Janeiro, Havana, Mexico City, and situate them within international movement.
Cross-listing: Cross-listed with LNST 124.